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A controversial writer of the marginal realism era by the name Gabriel Garcia Marquez in
the Death Constant Beyond Love applies the use symbolism where he gives a description of a
rose (Zamora, & Faris, 1995). However, the majority of the people who usually reads Gabriel
Garcia Marquez’s work always argues that they always have a hard time in trying to understand
some of the images and descriptions within his works (Zamora, & Faris, 1995). Moreover, for an
individual who is a newbie in reading this piece will find hardship in getting a firm grip on the
underlying and fundamental concepts in the use of a rose to represent and describe something
else that has a great magnitude (Robinson, 2013). Therefore the helpful person is the one who is
a seasonal reader and who loves literature gain insight into the target point (Zamora, & Faris,
1995).
Gabriel Garcia Marquez sought to select the plight of a senator who was looking another
term in his previous office by the use a rose symbol. However, issues such as inability, misery,
and seclusion together with death are more likely to be covered by the author within this
description (Robinson, 2013). Moreover “illusory village” is another complicated description
which plays a role of the inlet on the desert together with a hidden area for the ships of
smugglers (Zamora, & Faris, 1995). Considering the Robinson of the world literature (2013), the
death of Senator Onesimo who was just having six months and even days to live could be
signified by interpreting the symbolic use of a rose.
However, in his perspective just as the rose withers and dries up which is inevitable, then
the senator also had to meet his death (Robinson, 2013). Therefore the common consequence
relates to a person who is living with reducing hopes and motivation within his life. That is an
individual who is desperate and has no more future (Zamora, & Faris, 1995).
MAGICAL REALISM 3
Reference
Robinson, L. (2013). Gabriel Garcia Marquez and Ovid: magical and monstrous realities.
Woodbridge, Suffolk Rochester, NY: Tamesis Boydell & Brewer.
Zamora, L. & Faris, W. (1995). Magical realism: theory, history, community. Durham, N.C:
Duke University Press.
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